{"id":8748,"date":"2013-02-21T13:32:56","date_gmt":"2013-02-21T18:32:56","guid":{"rendered":"http:\/\/www.videoproductiontips.com\/?p=8748"},"modified":"2017-04-01T09:43:12","modified_gmt":"2017-04-01T14:43:12","slug":"canon-vixia-hf-m500-video-camcorder-review","status":"publish","type":"post","link":"https:\/\/www.videoproductiontips.com\/canon-vixia-hf-m500-video-camcorder-review\/","title":{"rendered":"Canon Vixia HF M500 Video Camcorder Review"},"content":{"rendered":"
\"canon<\/a>
Canon Vixia HF-M500 video camcorder<\/figcaption><\/figure>\n

The Canon Vixia HF M500 is truly an awesome video camcorder with an amazing amount of features for the style and price.<\/p>\n

If you’re looking for a low budget, economical camcorder that records on memory cards<\/strong> and not only gets a sharp, clear image, but allows you to choose between two popular recording formats (mpg4 and AVCHD) then put this Canon on your list.<\/p>\n

That right there is enough, but WAIT!\u00a0 There’s more!\u00a0 (Gotta love that phrase!)<\/p>\n

Canon was really smart and also included a microphone input and headphone jack,<\/em> so the HF M500 also allows for quality sound recording too.\u00a0 IMHO as a lover of video cameras, the Vixia HF M500 is amazing, especially when you consider the bargain price at less than $350.<\/a><\/p>\n

The HF M500 is a Full HD Camcorder, <\/b>producing is a 1920 x 1080 high def image. It records using an SD\/SDHC\/SDXC memory card slot that supports up to 64GB memory cards. That is a lot of storage for a tiny camera and equals several hours of footage.<\/p>\n

With this camera, you get a fairly large (1\/3″) HD CMOS Pro Sensor and image processor that work together to provide images with resolution high enough to look great, even played on your large screen HDTV. Online where screen size is smaller, your video is going to look awesome and this camera gives you a very important and advanced feature for just that difference.<\/em><\/p>\n

DUEL CODEC RECORDING<\/strong><\/p>\n

With today’s many varied destinations for video, it is a fantastic feature for a camera in this price range<\/em> to be able to allow the user a choice of which format to record in. The HF M500 allows you to do that. If your video is going to be online, choose MPEG4. If your video is for home movie use on your own HDTV, or for archiving to blu-ray, choose AVCHD.<\/p>\n

The difference boils down to file size, which in turn, boils down to whether your videos work well online without converting them to a web-ready format. On the flip side, the AVCHD looks much better on your HDTV.<\/p>\n

Allowing you to record in either AVCHD or MP4 format is an advanced feature for such an inexpensive camcorder.<\/strong><\/em><\/p>\n

AVCHD’s higher bit-rate and finer resolution will yield the highest quality video for viewing on an HDTV or archiving to Blu-ray. File sizes that huge and heavy would NOT be good for online use however. For digital use, the camcorder lets you record in MP4 format, which produces files you can share right away with no need for conversion<\/strong>. <\/em>Any video you shoot is immediately available to upload to social networking sites like Facebook or YouTube if you record in the MPEG4 format.<\/p>\n

10X ZOOM LENS AND OTHER IMPORTANT FEATURES<\/strong><\/p>\n

One advantage for this size video camera over a pocket cam is that you get a decent lens with some zoom capacity plus a slew of features that truly do equal better, more versatile shots. <\/em> The HF M500 features a Canon 10x HD optical zoom video lens, optical image stabilization, powered image stabilization and a 3.0″ widescreen touch screen LCD display.<\/p>\n

I’ve already mentioned how important it is to have a microphone input. This camera has a mic input and a headphone jack both. These connectors make it possible to capture high quality audio.<\/p>\n

But WAIT!\u00a0 That’s not all!\u00a0 \ud83d\ude42<\/p>\n

In addition to using an external mic for audio, the HF M500 features an enhanced internal microphone,<\/em> which gives you the choice of 4 different recording directions, including monaural, stereo, wide, or synced with zoom. This feature also allows for adjustment between low, mid-range, and high frequencies.<\/p>\n

Extremely impressive feature in and of itself that a serious videographer could really take advantage of.<\/p>\n

All in all, the HF M500 packs an amazing amount of features for a 11 ounce video camera costing less than $350!<\/strong><\/p>\n

It’s fun recommending cameras as feature-rich and functional as the Canon Vixia HF M500. \ud83d\ude42<\/p>\n

BUY THE CANON VIXIA HF M500 AT B&H PHOTO<\/a><\/h3>\n
\"canon<\/a>
Canon Vixia HF-M500 video camcorder<\/figcaption><\/figure>\n

Article and camera reviews on Video Production Tips are written by Lorraine Grula, a lifelong camera lover who worked in the television and video business as a videographer, field producer and video editor. She now produces online video commercials for clients and serves as online video consultant.<\/p>\n

Main Unit Specs for the Canon Vixia HF M500 Video Camcorder<\/strong><\/p>\n

    \n
  • High Definition<\/li>\n
  • Television System: \u00a0 NTSC<\/li>\n
  • Video Recording system: \u00a0 AVCHD\/MPEG-4<\/li>\n
  • Image Sensor: \u00a0 1\/3-inch HD CMOS PRO, RGB Primary Color Filter<\/li>\n
  • Total Pixels: \u00a0 Approx. 2.37 Megapixels<\/li>\n
  • Effective Pixels Video: Approx. 2.07 Megapixels (1920 x 1080)<\/li>\n
  • Photo: Approx. 2.07 Megapixels (1920 x 1080)<\/li>\n<\/ul>\n

    Maximum Recording Time<\/strong> (Recording times are based on one 64 GB SDXC Memory Card, not supplied).<\/p>\n

      \n
    • LP (5Mbps):
      \n24 hours 30 minutes<\/li>\n
    • SP (7Mbps):
      \n19 hours 10 minutes<\/li>\n
    • XP+ (12Mbps):
      \n11 hours 30 minutes<\/li>\n
    • FXP (17Mbps) – Allows 1920 x 1080 recording:
      \n8 hours 20 minutes<\/li>\n
    • MXP (24Mbps) – Allows 1920 x 1080 recording:
      \n5 hours 55 minutes<\/li>\n
    • MP4:
      \n4Mbps: 33 hours 55 minutes
      \n9Mbps: 15 hours 25 minutes<\/li>\n<\/ul>\n

      Lens<\/strong><\/p>\n

      Zoom Ratio:
      \n10 Optical\/200x Digital*<\/p>\n

      Focal Length:
      \n6.1-61mm<\/p>\n

      35mm Film Equivalent:
      \nOptical Zoom: 43.4-436mm (in both movies and photos)<\/p>\n

      Zoom Speed:
      \nVariable \/ 3 Fixed Zoom Speeds
      \nMax F\/Stop: f\/1.8-3.0<\/p>\n

      * Movie mode only
      \nFocusing System TTL (Through The Lens) + Instant AF
      \nManual Exposure: \u00a0 Yes
      \nProgrammed: \u00a0 AE, Auto, Manual*1, Cinema Mode*2<\/p>\n

      *1 P, Tv, Av, SCN*3
      \n*2 P, Tv, Av
      \n*3 Portrait, Sports, Snow, Beach, Sunset, Night, Low Light, Spotlight, Fireworks, Underwater, Surface
      \nMax Shutter Speed Movie: 1\/2000 sec.
      \nStill Image: 1\/500 sec.
      \nMinimum Focusing Distance When tele macro is in effect: 10 mm to ? (wide end), 1 m to ? (intermediate zooming range), 40 cm to ? (tele end) When tele macro is not in effect: 10 mm to ? (wide end), 1 m to ? (entire zooming range)<\/p>\n

      All figures given are for the distance from the lens front.
      \nWhite Balance: \u00a0 Auto, Daylight, Shade, Cloudy, Tungsten, Fluorescent H, Fluorescent
      \nMinimum Illumination NTSC: 1.2 lx
      \n0.1 lx in Low Light Mode (shutter speed 1\/2 sec.)
      \nImage Stabilization<\/p>\n

      Optical System (Lens-shift system):<\/p>\n

      – Intelligent IS in Auto mode
      \n– Dynamic IS (default)
      \n– Powered IS
      \n– Macro IS
      \n– Tripod Mode<\/p>\n

      IS Modes other than Intelligent IS; Dynamic IS and Powered IS settings can be made manually in Manual\/Cinema Mode:<\/p>\n

      – Standard IS
      \n– IS Off<\/p>\n

      Filter Diameter 43mm P0.75
      \nLCD Screen: \u00a0 3.0-inch Widescreen Color Touch Panel LCD (Approx. 230,000 dots)
      \nRecording Media: \u00a0 1 SD\/SDHC\/SDXC memory card slot*
      \nUSB Terminal: \u00a0 mini-AB: Hi-Speed USB supported
      \nVideo Terminal: \u00a0 Composite (output)
      \nAudio: \u00a0 AVCHD: Dolby Digital AC3 (2 Channel)
      \nMP4: MPEG-2 AAC-LC (2 Channel)<\/p>\n

      Sampling Frequency: 48 KHz
      \nAccessory Shoe Mini Advanced Accessory shoe available.<\/p>\n

      However, only the video light function is provided by the VFL-2 video light flash.
      \nSupplied Video Editing Software:\u00a0 Video Browser Editing Disc<\/p>\n

        \n
      • ImageBrowser Disc<\/li>\n
      • Transfer Utility Disc<\/li>\n<\/ul>\n

        HDMI Terminal Available; Mini connector, CEC, x.v. Color supported
        \nMicrophone Terminal 3.5 mm dia. stereo mini-jack
        \nAV Mini Terminal\/Headphone Terminal 3.5 mm dia. 4 pole mini-jack (video\/audio output only)
        \nOperating Temperature range 23? to 113? F, 60% relative humidity 32? to 104? F, 85% relative humidity (performance)
        \nDimensions (W x H x D) 2.7 x 2.5 x 4.8 in \/ 68 x 64 x 121 mm (Not including the grip belt)
        \nWeight Approx. 10.9 oz. \/ 310g (Not including grip belt)
        \nApprox. 12.9 oz. \/ 365g (Including BP-718, memory card and grip belt)<\/p>\n

        * Use of Class 4 or above (4, 6 or 10) memory cards is recommended for recording MXP or FXP (1920 x 1080 pixel recording) movies. For other recording formats, a Class 2 or higher card is recommended. Also, movie (AVCHD\/MP4) recording requires cards with 128MB of memory or more.<\/p>\n","protected":false},"excerpt":{"rendered":"

        For an economical video camera, the Canon Vixia HF M500 is a remarkably versatile and useful video camera with several advanced, professional features.<\/p>\n","protected":false},"author":1,"featured_media":8733,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[364,163],"tags":[716,2206,2204,698,1828,2207,2209,2205,1225,2208],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"https:\/\/i0.wp.com\/www.videoproductiontips.com\/wp-content\/uploads\/2013\/02\/vixia-HF-M500.jpg?fit=345%2C345&ssl=1","jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/www.videoproductiontips.com\/wp-json\/wp\/v2\/posts\/8748"}],"collection":[{"href":"https:\/\/www.videoproductiontips.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.videoproductiontips.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.videoproductiontips.com\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.videoproductiontips.com\/wp-json\/wp\/v2\/comments?post=8748"}],"version-history":[{"count":0,"href":"https:\/\/www.videoproductiontips.com\/wp-json\/wp\/v2\/posts\/8748\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.videoproductiontips.com\/wp-json\/wp\/v2\/media\/8733"}],"wp:attachment":[{"href":"https:\/\/www.videoproductiontips.com\/wp-json\/wp\/v2\/media?parent=8748"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.videoproductiontips.com\/wp-json\/wp\/v2\/categories?post=8748"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.videoproductiontips.com\/wp-json\/wp\/v2\/tags?post=8748"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}